Percussion music represents an important strand in the output of minimalist composer Steve Reich, and this release by the ensemble Third Coast Percussion, whose members cheerfully admit they weren't even born when Reich first came on the scene, shows how the genre has continued to interest him. The works involved span several decades, from Music for Pieces of Wood (1973) to 2009's Mallet Quartet. It's notable that Reich's language, unlike those of his minimalist-pioneer compatriots, hasn't fundamentally changed during this ...
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Percussion music represents an important strand in the output of minimalist composer Steve Reich, and this release by the ensemble Third Coast Percussion, whose members cheerfully admit they weren't even born when Reich first came on the scene, shows how the genre has continued to interest him. The works involved span several decades, from Music for Pieces of Wood (1973) to 2009's Mallet Quartet. It's notable that Reich's language, unlike those of his minimalist-pioneer compatriots, hasn't fundamentally changed during this period. Instead, he explores percussion-defined spaces and processes in different ways. The Nagoya Marimbas (1996) receives a performance that, in the words of the players, "blends the characteristic Reich marimba sound with an expressive, nuanced approach to dynamic shaping"; the upshot seems to be a reading that lands toward the communicative end of the spectrum of Reich performances. Music for Pieces of Wood, one of the original works in which Reich transferred his electronic...
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