This volume presents us with a new Feydeau. From 1908 on, the dramatist abandoned vaudeville almost completely and introduced, with Feu la mere de Madame, marital farces on conjugal discordance marked by burlesque ferocity.
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This volume presents us with a new Feydeau. From 1908 on, the dramatist abandoned vaudeville almost completely and introduced, with Feu la mere de Madame, marital farces on conjugal discordance marked by burlesque ferocity.
Read Less
