Making of the Auden canon was first published in 1957. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. No poet writing in English is more representative of the intellectual trends of the thirties and forties than W. H. Auden. British born, Oxford educated, American by naturalization, and now returned to Oxford to occupy the chair of poetry, he is widely regarded as the spiritual ...
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Making of the Auden canon was first published in 1957. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. No poet writing in English is more representative of the intellectual trends of the thirties and forties than W. H. Auden. British born, Oxford educated, American by naturalization, and now returned to Oxford to occupy the chair of poetry, he is widely regarded as the spiritual guide and keeper of the conscience of the age, at the same time that he exemplifies the gradual passage from ideological left to right so characteristic of the period. This study of Auden's poetry and revisions has far-reaching implications for an understanding not only of Auden's own writing but that of his contemporaries as well. Considering that 1945 Collected Poetry as the Auden canon, or authorized version of the poems, Mr. Beach examines the process by which Auden selected poems to be admitted to the canon. He shows that the poet eliminated many that were at odds with his later style and thought, discreetly revised others to bring them into line, and, at the same time, left unaltered some of the pieces from his unregenerate days. Auden's system of selection and revision reflects the winding course of his thought, and, by tracing this course, Mr. Beach endeavors to penetrate the poet's diverse masks in an effort to get at the identity of t he man himself.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in poor condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 700grams, ISBN:
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Very Good in Good jacket. First edition. Very good in good dustwrapper. Book has light rub of spine and cover edges, very light yellowing pages, dustwrapper has light rub of panel edges, 1/4" tear bottom spine, fading panels. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.
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VG. Dust jacket acceptable / Book good. Former owner name on fly page. Binding solid, pages age toned but crisp and clean. Extremities rubbed and bumped with handling soil. Jacket has large tears, chips and edge wear. It is rubbed with handling soil and an old coffee mug ring on back.
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New. Trade paperback (US). Glued binding. 323 p. Minnesota Archive Editions. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Seller's Description:
Fine book in a Fine dust jacket. 315 pages First edition, first printing. Critical study of the effect of Auden on the poetry scene. Fine book in a fine dust jacket. Price clipped. A beautiful copy!
