This collection of essays offers different ways of seeing twentieth-century art via the medium of aesthetics. In Mercure (1924), Picasso collapses the tradition of classical ballet into the visual arts; Paul Klee, in his work from the Thirties, searches for a purity of language reminiscent of German Romanticism; with his concept of the Void, Yves Klein emphasizes that, within the context of art, ritualized performance can lead to a radical loss of ego; Ed Ruscha's gunpowder drawings from the Sixties offer visual paradoxes ...
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This collection of essays offers different ways of seeing twentieth-century art via the medium of aesthetics. In Mercure (1924), Picasso collapses the tradition of classical ballet into the visual arts; Paul Klee, in his work from the Thirties, searches for a purity of language reminiscent of German Romanticism; with his concept of the Void, Yves Klein emphasizes that, within the context of art, ritualized performance can lead to a radical loss of ego; Ed Ruscha's gunpowder drawings from the Sixties offer visual paradoxes and question the boundaries between art and language; and in Twombly's Bacchus paintings, movement becomes a metaphor for the Dionysian forces that shape history.
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Seller's Description:
Very Good. 8vo-over 7¾"-9¾" tall. pp. 175. 175 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Remainder mark (one small dot) bottom fore-edge. This is a paperback copy with French flaps.
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Seller's Description:
New. 1906548625. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--174 pp.; 39 illus. --with a bonus offer--
