Mout me fut grief / Robin m'aime / Portare, motet (Mo 265, 13th century)
Le jeu de Robin et de Marion (The Play of Robin and Marion): Robins m'aime / Je me repairoie / He Robins se tu m'aimes
Li maus amourous me tient / Dieus par quoi / Portare, motet (Mo 96, 13th century)
Le jeu de Robin et de Marion (The Play of Robin and Marion): Vous perdez vos paine Sire Aubert / Ne sai que je die ... Johanne, motet (Mo 274, 13th century) (An
Le jeu de Robin et de Marion (The Play of Robin and Marion): Bergeronnète sui / Trairi deluriau
Mout me fut grief / Robin m'aime / Portare, motet (Mo 265, 13th century)
Le jeu de Robin et de Marion (The Play of Robin and Marion): Robins m'aime / Je me repairoie / He Robins se tu m'aimes
Li maus amourous me tient / Dieus par quoi / Portare, motet (Mo 96, 13th century)
Le jeu de Robin et de Marion (The Play of Robin and Marion): Vous perdez vos paine Sire Aubert / Ne sai que je die ... Johanne, motet (Mo 274, 13th century) (An
Le jeu de Robin et de Marion (The Play of Robin and Marion): Bergeronnète sui / Trairi deluriau
He Robechon, motet (after Adam de la Halle's Jeu de Robin et Marion)
Au douz tans / Baiu dous amis / Manere, motet (Mo 119, 13th century)
Le jeu de Robin et de Marion (The Play of Robin and Marion): Vous l'orés bien dire / Saltarello (Lo 29987, fol. 62r, 14th century) (Anonymous, Italian)
Le jeu de Robin et de Marion (The Play of Robin and Marion): Bergeronnete / Robin par l'ame ten père
Le jeu de Robin et de Marion (The Play of Robin and Marion): Li maus d'amer / Hé Marotele alons au bois / En la prairie / Aptatur, motet (Mo 75, 13th century) (
L'autre jour / Au tens pascour / In seculum, motet (Ms. Bamberg, 13th century)
Par un matinet / Lés un bosket / Portare, motet (Mo 259, 13th century)
Le jeu de Robin et de Marion (The Play of Robin and Marion): J'oi Robin flajoler / En mai quant rosier / L'autre jour / He resveille toi Robin, motet (Mo 269, 1
Encontre le tans de Pascour / Quant fuellent / In odorem, motet (Mo 95, 13th century)
Quant florist la violete / El mois de mai / et gaudebit, motet (Mo 135, 13th century)
En non Diu / Quant voi la rose espanie / Eius oriente, motet (Mo 104, 13th century)
Le jeu de Robin et de Marion (The Play of Robin and Marion): Avoec telle compaignie / Quiconque rira / Parodie after anonymous French motet: Quant voi la fleur
Le Roman de Fauvel: Motet: Je voi douleur avenir / Fauvel nous a fait present / Autant m'est si poise, motet from the R
Quant froidure trait a fin / Domino quoniam, motet (Mo 221, 13th century)
Le jeu de Robin et de Marion (The Play of Robin and Marion): J'ai encore un tel paste
Le jeu de Robin et de Marion (The Play of Robin and Marion): Audigier dist Raimberge (includes anonymous French motet: Quant voi le douz tans venire / En mai qu
Work(s): Venes après moi, after (Adam de la Halle's Jeu de Robin et Marion) / Nota Domino quoniam (after Mo
Work(s): Motet: Mout me fut grief / Robin m'aime / Portare (Mo 265, 13th century); Motet: L'autre jour par u
Thirteenth century French Troubadour Adam de la Halle's Le jeu de Robin et Marion is one of the great masterworks of Western music literature, as important in its time as the Beethoven Symphony No. 9, though you'd never know it from the extent to which it has been recorded. Although the first modern edition of Le jeu de Robin et Marion appeared in the 1870s, it is a difficult nut to crack, being entirely monophonic and in need of additional inserts in order to make sense both theatrically and musically. Nevertheless, most ...
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Thirteenth century French Troubadour Adam de la Halle's Le jeu de Robin et Marion is one of the great masterworks of Western music literature, as important in its time as the Beethoven Symphony No. 9, though you'd never know it from the extent to which it has been recorded. Although the first modern edition of Le jeu de Robin et Marion appeared in the 1870s, it is a difficult nut to crack, being entirely monophonic and in need of additional inserts in order to make sense both theatrically and musically. Nevertheless, most medievalists credit this work with having ushered in the very notion of extended music theater in a secular realm, touching off a crooked path of development that leads to opera some five centuries later. In their album titled Le Chant de Robin et Marion Canadian early music group Ensemble Anonymus has taken this bull by the horns and delivered a result that buries all others in its wake. Prior to making this recording for Analekta, Ensemble Anonymus has performed its realization of...
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