The Palaeolithic is the only period in archaeology that can be studied globally. In the last half century one prehistorian, Sir Paul Mellars, has changed the shape and direction of such studies, adding immeasurably to what we know about humanity's earliest origins and the timing of crucial transitions in the journey. The Upper Palaeolithic Revolution in global perspective is a collection of essays in his honour. Contributions cover both his own area of primary interest (Franco-Cantabria) as well as many other ...
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The Palaeolithic is the only period in archaeology that can be studied globally. In the last half century one prehistorian, Sir Paul Mellars, has changed the shape and direction of such studies, adding immeasurably to what we know about humanity's earliest origins and the timing of crucial transitions in the journey. The Upper Palaeolithic Revolution in global perspective is a collection of essays in his honour. Contributions cover both his own area of primary interest (Franco-Cantabria) as well as many other regions of the world, all of which he has considered while writing about the Human Revolution in its wider geographical context. Papers in this volume examine the archaeological record of the Upper Pleistocene from Australia, through eastern and western Asia and Africa to northern Spain and the classical P???rigord region of France, a cornerstone region which Mellars has been researching and publishing on since 1965. To papers on chronology, typology, subsistence and social complexity are added historical and theoretical contributions, along with a biography. These illustrate not only Paul Mellars's impact on the current shape and direction of Palaeolithic studies but also how the subject has changed and continues to change.
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Publisher:
McDonald Institute for Archaeological Research
Published:
2010
Language:
English
Alibris ID:
17115875500
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Seller's Description:
Very Good. Glossy paper covered boards, quarto, illustrated in b&w. Book has hint of rubbing to boards, binding tight, two pages in first chapter have pencil underlines, otherwise text clean and unmarked. No DJ.
