This highly unconventional study exceeds the conventional demarcations between history and criticism in order to provide a survey of some of the crucial themes of Western art. It focuses on three main issues; the use of grapes as a pictorial motif, the recurrent myth of self-reflection typified by the story of Narcissus, and the notion of historical sequence as it is found in the medieval legend of the True Cross. The author breaks free from chronological constraints to emphasise the interconnections between ...
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This highly unconventional study exceeds the conventional demarcations between history and criticism in order to provide a survey of some of the crucial themes of Western art. It focuses on three main issues; the use of grapes as a pictorial motif, the recurrent myth of self-reflection typified by the story of Narcissus, and the notion of historical sequence as it is found in the medieval legend of the True Cross. The author breaks free from chronological constraints to emphasise the interconnections between representational forms from the High Middle Ages to the present day. The purpose of the book, which contains discussions of Piero della Francesca, Caravaggio, Poussin, and Cezanne, among others, is to bring out the reciprocal connections between the art of the past and the art of our own period, and to demonstrate the need for a critical approach that will identify the current features of the Western tradition.
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Seller's Description:
Good. Ships from UK in 48 hours or less (usually same day). Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire, United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks, rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry.
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Seller's Description:
Very Good in Very Good-dust jacket. 9780521341448. Text clean and tight; light rubbing to dust jacket; Cambridge Studies In New Art History And Criticism; 8vo 8"-9" tall; 302 pages.
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Seller's Description:
Very good in very good dust jacket. Cambridge University, 1989, 286 pages, hardcover in a very good jacket, no owner's mark or underlining, light wear, two pages creased