Twentieth-century historians and critics defending the novel have emphasized its role as superseding something else, as a sort of legitimate usurper that deposed the Epic, a replacement of myth, or religious narrative. To say that the Age of Early Christianity was really also the Age of the Novel rumples such historical tidiness--but so it was. From the outset of her discussion, Doody rejects the conventional Anglo-Saxon distinction between Romance and Novel. This eighteenth-century distinction, she maintains, served both ...
Read More
Twentieth-century historians and critics defending the novel have emphasized its role as superseding something else, as a sort of legitimate usurper that deposed the Epic, a replacement of myth, or religious narrative. To say that the Age of Early Christianity was really also the Age of the Novel rumples such historical tidiness--but so it was. From the outset of her discussion, Doody rejects the conventional Anglo-Saxon distinction between Romance and Novel. This eighteenth-century distinction, she maintains, served both to keep the foreign--dark-skinned peoples, strange speakers, Muslims, and others--largely out of literature, and to obscure the diverse nature of the novel itself. This deeply informed and truly comparative work is staggering in its breadth. Doody treats not only recognized classics, but also works of usually unacknowledged subgenres--new readings of novels like The Pickwick Papers, Puddn'head Wilson, L'Assommoir, Death in Venice, and Beloved are accompanied by insights into Death on the Nile or The Wind in the Willows. Non-Western writers like Chinua Achebe and Witi Ihimaera are also included. In her last section, Doody goes on to show that Chinese and Japanese novels, early and late, bear a strong and not incidental affinity to their Western counterparts. Collectively, these readings offer the basis for a serious reassessment of the history and the nature of the novel. The True Story of the Novel marks the beginning of the twenty-first century's understanding of fiction and of culture. It is essential reading for anyone with an interest in literature.
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1050grams, ISBN: 0002558025.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 600grams, ISBN: 9780006863793.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
24pp photoplates. Minor rubbing. VG. 23x15cm, xx, 580, (24) pp, PAPERBACK. "One of the most successful literary lies", declares Margaret Anne Doody, "is the English claim to have invented the novel....One of the best-kept literary secrets is the existence of novels in antiquity". In fact, as Doody goes on to demonstrate, the Novel of the Roman Empire is a joint product of Africa, Western Asia, and Europe. It is with this argument that The True Story of the Novel devastates and reconfigures the history of the novel as we know it. Twentieth-century historians and critics defending the novel have emphasized its role as superseding something else, as a sort of legitimate usurper that deposed the Epic, a replacement of myth, or religious narrative. To say that the Age of Early Christianity was really also the Age of the Novel rumples such historical tidiness-but so it was. From the outset of her discussion, Doody rejects the conventional Anglo-Saxon distinction between Romance and Novel. This eighteenth-century distinction, she maintains, served both to keep the foreign-dark-skinned peoples, strange speakers, Muslims, and others-largely out of literature and to obscure the diverse nature of the novel itself. This deeply informed and truly comparative work is staggering in its breadth. Doody treats not only recognized classics, but also works of usually unacknowledged subgenres-new readings of novels like The Pickwick Papers, Pudd'nhead Wilson, L'Assommoir, Death in Venice, and Beloved are accompanied by insights into Death on the Nile or The Wind in the Willows..., . "-Publisher's description.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very good. No dust jacket. Ex-library. Sewn binding. Cloth over boards. 580 p. Audience: General/trade. LCCN 94039574 Type of material Book Personal name Doody, Margaret Anne. Main title The true story of the novel / Margaret Anne Doody. Published/Created New Brunswick, N.J. : Rutgers University Press, c1996. Description xx, 580 p., [24] p. of plates: ill. (some col. ); 24 cm. ISBN 0813521688 LC classification PN3355. D66 1996 LC Subjects Fiction--Technique. Fiction--History and criticism. Notes Includes bibliographical references (p. 531-553) and index. Dewey class no. 809.3
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very good. All orders are shipped with a USPS tracking number. First Class Customer Service, Orders Handled Promptly. Former library book with usual markings. Clear mylar protects dust jacket.