The first history of tomb sculpture, this book spans the shift of the papacy and college of cardinals from Rome to Avignon. Too often there has been a concentration on the work of individual sculptors, based on more or less tenable attributions, however, Gardner discusses the surviving or documented tombs of popes, cardinals, and important clerics in Rome and central Italy from the viewpoints of style, context, funerary custom, and testamentary wishes. The transference of the papacy to Avignon brought with it radical ...
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The first history of tomb sculpture, this book spans the shift of the papacy and college of cardinals from Rome to Avignon. Too often there has been a concentration on the work of individual sculptors, based on more or less tenable attributions, however, Gardner discusses the surviving or documented tombs of popes, cardinals, and important clerics in Rome and central Italy from the viewpoints of style, context, funerary custom, and testamentary wishes. The transference of the papacy to Avignon brought with it radical changes in the personnel, burial traditions, and artistic environment of the papal curia, and Paris, Westminster, and Toulouse became points of reference. Important surviving tombs at Limoges, Montpezat, Toledo, and Prague are brought into the ambit of papal tomb sculpture, and the effect of Roman sculpture with the absence of the papacy is considered, together with the problem of sepulchal portraiture.
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Seller's Description:
Very Good in Very Good jacket. Size: 9x1x11; Dark blue hardback with gilt lettered spine: firm and square with strong joints. Complete with original dustjacket: showing well, no tears, no chips, now protected in a clear, removable sleeve. Contents crisp, tight and clean; no pen-marks. Not from a library so no such stamps or labels. Size: 280mm x 225mm. Pages: xxiv, 183, 232 plates. Fully indexed. Thus a better than very good copy.
