The Tiger's Eye, a widely read magazine of art and literature, was published in nine quarterly issues from 1947 to 1949 by writer Ruth Stephan and painter John Stephan. It took its name from the poem by William Blake. The Tiger's Eye featured European and American Surrealists, members of the Latin American avant garde, and young American painters soon to become known as Abstract Expressionists. The artists, among them Max Ernst, Alberto Giacometti, Adolph Gottlieb, Stanley William Hayter, Andr??? Masson, Pablo Picasso, Mark ...
Read More
The Tiger's Eye, a widely read magazine of art and literature, was published in nine quarterly issues from 1947 to 1949 by writer Ruth Stephan and painter John Stephan. It took its name from the poem by William Blake. The Tiger's Eye featured European and American Surrealists, members of the Latin American avant garde, and young American painters soon to become known as Abstract Expressionists. The artists, among them Max Ernst, Alberto Giacometti, Adolph Gottlieb, Stanley William Hayter, Andr??? Masson, Pablo Picasso, Mark Rothko, Anne Ryan, Kay Sage, Kurt Seligmann, Rufino Tamayo, and Mark Tobey, as well as art editor and co-publisher John Stephan himself, range across the cultural forefront of the post-war period. This handsome book presents numerous examples of the art, writings, and pages of the magazine, using it as a lens through which to view the art world during these richly creative years when its center was shifting from Paris to New York. Also included is an essay tracing the history of the magazine, along with an annotated index of its contributors. Lavishly produced as an homage to the format, striking design, and structural devices of The Tiger's Eye, the resultant volume will not only contribute to our understanding of postwar art history but will itself illuminate every aspect of this complex publication. Distributed for the Yale University Art Gallery
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Good. Ships from UK in 48 hours or less (usually same day). Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire, United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks, rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 700grams, ISBN: 9780300094527.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 750grams, ISBN: 9780300094527.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
New. 0300094528. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-FLAWLESS COPY-AVAILABLE IMMEDIATELY, WHY WAIT? --158 pp., color illus. Catalogue for the exhibition, organized by Pamela Franks, presented at the Yale University Art Gallery (January 29-March 30, 2002), with essay by Franks. In nine quarterly issues published between 1947 and 1949, The Tiger's Eye exemplified and transcended the magazine of art and literature. Published in Westport, Connecticut, by poet Ruth Stephan and painter John Stephan, the magazine prized inclusiveness above all else, bringing together Pablo Picasso, early Abstract Expressionism, surrealist verse, traditional Peruvian art, and much more. The book contains a history of the magazine, each of its provocative editorial statements, and an index of contributors, as well as reproductions of selected layouts (including the table of contents from the renowned “Sublime Issue”) and artworks that were presented in its pages. --with a bonus offer--
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
VG. Pictorial wraps. 143 pp. Numerous bw and color plates. Organized by Pamela Franks. The Tiger's Eye, a widely read magazine of art and literature, was published in nine quarterly issues from 1947 to 1949 by writer Ruth Stephan and painter John Stephan. It took its name from the poem by William Blake. The Tiger's Eye featured European and American Surrealists, members of the Latin American avant garde, and young American painters soon to become known as Abstract Expressionists. The artists, among them Max Ernst, Alberto Giacometti, Adolph Gottlieb, Stanley William Hayter, Andre Masson, Pablo Picasso, Mark Rothko, Anne Ryan, Kay Sage, Kurt Seligmann, Rufino Tamayo, and Mark Tobey, as well as art editor and co-publisher John Stephan himself, range across the cultural forefront of the post-war period. This handsome book presents numerous examples of the art, writings, and pages of the magazine, using it as a lens through which to view the art world during these richly creative years when its center was shifting from Paris to New York. Also included is an essay tracing the history of the magazine, along with an annotated index of its contributors. Lavishly produced as an homage to the format, striking design, and structural devices of The Tiger's Eye, the resultant volume will not only contribute to our understanding of postwar art history but will itself illuminate every aspect of this complex publication.