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Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Good. Size: 11x9x0; **Note: book is softbound. In good condition; would have been "very good" but for a significant bump at head of spine. Otherwise book is crisp and immaculate. 230p. Published in tandem with a traveling exhibition of 2006-10 organized by the Yale University Art Gallery, New Haven.
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Seller's Description:
New. Size: 10x1x12; Brand New, Still Shrinkwrapped! Ships with tracking the same or next business day from New Haven, CT. We fully guarantee to ship the exact same item as listed and work hard to maintain our excellent customer service.
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Seller's Description:
As New. Color illustrated wraps. 229 pp., 62 bw and 302 color plates and reproductions. This beautifully illustrated book highlights the unique history of The Société Anonyme, Inc., an organization founded in 1920 by the artists Katherine S. Dreier (1877-1952), Marcel Duchamp (1887-1968), and Man Ray (1890-1976). As America's first experimental museum for modern art, the Société Anonyme provided a means for artists, rather than historians, to chronicle the rise of modernism. Led by Dreier and Duchamp, the group eventually assembled a collection of more than one thousand artworks, which it presented to the public in a variety of innovative programs, publications, and exhibitions. The incredible collection of the Société Anonyme now belongs to the Yale University Art Gallery, a gift from the Société and Dreier. It features the work of more than one hundred artists, many of whom are among the century's most renowned-including Jean Arp, Duchamp, Max Ernst, Wassily Kandinsky, Paul Klee, El Lissitzky, Piet Mondrian, Man Ray, Kurt Schwitters, and Joseph Stella-as well as works by lesser-known artists whose contributions to modernism are substantial. With new archival information, including personal correspondence between Dreier and the artists whose work she assembled, a host of previously unpublished images, essays by leading scholars, and an interview with artists Robert and Sylvia Mangold about the contemporary significance of this collection, this fascinating book is essential to our understanding of the reception and interpretation of modernism in America.
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Seller's Description:
Near Fine. Second printing. Quarto. 229pp. Pictorial wrappers. Black and white and color illustrations. Near fine with a few discreet stains along the page edges, slight edge wear, in wrappers. Includes contributions by Ruth L. Bohan, Susan Greenberg, David Joselit, Elise K. Kenney, Dickran Tashjian, and Kristina Wilson. History of the "Société Anonyme", an organization founded in the 1920's, which acted as America's first "experimental museum" for modern art.
