Building on his work in Traditional Oral Epic and Immanent Art, the author aims to dissolve the perceived barrier between oral and written, creating a theory from oral-formulaic theory and the ethnography of speaking and ethnopoetics. He argues that a work's word-power derives from its performance and its implied traditional context.
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Building on his work in Traditional Oral Epic and Immanent Art, the author aims to dissolve the perceived barrier between oral and written, creating a theory from oral-formulaic theory and the ethnography of speaking and ethnopoetics. He argues that a work's word-power derives from its performance and its implied traditional context.
Read Less
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Seller's Description:
Like New. Size: 6x0x9; APPEARS UNREAD. Paperback. Covers show minimal shelving wear, otherwise an UNBLEMISHED copy.; 100% Satisfaction Guaranteed! Ships same or next business day!
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Seller's Description:
Fine. No Jacket. Music Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Previous owner's name or sticker in front section of the book. Contents include: Oral formulaic theory and the ethnography of speaking, Serbian tradition of magical charms, Homeric hymn to demter, Old English Andreas, Native American traditions, South Slavic traditions into texts, Anglo-Saxon texts, Register, Stategies for reading: traditional rules, metonymy, word-power, etc.
