First published in 1996, this volume counters the attitude of paying more attention to the performer than to the piece. Too often, Anthony Hopkins argues, music is simply regarded as a pleasant background noise to accompany our other activities, whereas Beethoven offers much more than that. Hopkins aim to promote hearing, rather than listening. He examines Beethoven's piano concertos numbers 1 through 5, along with the violin concerto in D Major, Op. 61, and the Triple Concerto, Op. 56.
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First published in 1996, this volume counters the attitude of paying more attention to the performer than to the piece. Too often, Anthony Hopkins argues, music is simply regarded as a pleasant background noise to accompany our other activities, whereas Beethoven offers much more than that. Hopkins aim to promote hearing, rather than listening. He examines Beethoven's piano concertos numbers 1 through 5, along with the violin concerto in D Major, Op. 61, and the Triple Concerto, Op. 56.
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Edition: 1999, Ashgate Publishing Limited
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1999
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1999
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Seller's Description: Fine. Not ex-lib. Softcover in blue wraps, small 8vo. viii + 101pp. Musical examples throughout. Fine. Faint rollng creases toward tips of lower corners in latter half of volume, well, well away from text. Else as new: clean, tight, square and unamred with clean, strongly colored wraps.
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All Editions of The Seven Concertos of Beethoven
