First published in 1996, this volume counters the attitude of paying more attention to the performer than to the piece. Too often, Anthony Hopkins argues, music is simply regarded as a pleasant background noise to accompany our other activities, whereas Beethoven offers much more than that. Hopkins aim to promote hearing, rather than listening. He examines Beethoven's piano concertos numbers 1 through 5, along with the violin concerto in D Major, Op. 61, and the Triple Concerto, Op. 56.
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First published in 1996, this volume counters the attitude of paying more attention to the performer than to the piece. Too often, Anthony Hopkins argues, music is simply regarded as a pleasant background noise to accompany our other activities, whereas Beethoven offers much more than that. Hopkins aim to promote hearing, rather than listening. He examines Beethoven's piano concertos numbers 1 through 5, along with the violin concerto in D Major, Op. 61, and the Triple Concerto, Op. 56.
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Edition:
1999, Ashgate Publishing Limited
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0754600033
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9780754600039
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110
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1999
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English
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1999, Ashgate Publishing Limited
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0754600033
ISBN-13:
9780754600039
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110
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Ashgate Publishing Limited
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1999
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17549210348
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1999, Ashgate Publishing Limited
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ISBN:
0754600033
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9780754600039
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110
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Ashgate Publishing Limited
Published:
1999
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English
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Very Good. Size: 5x0x8; Minimal wear, the binding is tight, the text is free of markings.; 5.25 X 0.25 X 8.25 inches; 110 pages.
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1999, Ashgate Publishing Limited
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0754600033
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9780754600039
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110
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1999
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1999, Ashgate Publishing Limited
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0754600033
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9780754600039
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Ashgate Publishing Limited
Published:
1999
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1999, Ashgate Publishing Limited
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0754600033
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9780754600039
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110
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Ashgate Publishing Limited
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1999
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Edition:
1996, Scolar Press
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1859282458
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9781859282458
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101
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Scolar Press
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1996
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18129964219
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2019, Routledge
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1138365556
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2019
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