Excerpt from The Rudiments of Masonry and Stonecutting: Exhibiting the Principles I. This little work has been written in continuation of the articles on Masonry, contained in a previous volume* of the Rudimentary Treatises. The reader will there find an outline of the principles of equi librium of retaining walls and arches, and a sketch of the operations of the mason, with descriptions of the tools and implements used in stone-cutting. These subjects, therefore, have not been touched upon in the following pages, which ...
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Excerpt from The Rudiments of Masonry and Stonecutting: Exhibiting the Principles I. This little work has been written in continuation of the articles on Masonry, contained in a previous volume* of the Rudimentary Treatises. The reader will there find an outline of the principles of equi librium of retaining walls and arches, and a sketch of the operations of the mason, with descriptions of the tools and implements used in stone-cutting. These subjects, therefore, have not been touched upon in the following pages, which are devoted more particularly to the scientific operations of stone-cutting, and to the ex planation of the methods by which the mason obtains, from the designs of the architect, the exact shape of each stone in a building, so that when set in its place it shall exactly fit the adjacent stones, without previous reference to them. II. The necessity for geometrical projection, in order to construct the moulds and templates by which the mason is guided in his work, must always have existed from a very early period, indeed, it would be impossible to erect a stone building of any architectural preten sions, without first arranging the joints of the masonry on a large drawing, and making full-sized projections of some portions, such as the profiles of the mouldings. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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