As she demonstrates, Shakespeare's works, and English literature in general, came to be defined by their words rather than by the plots and morality on which the older aesthetic theory focused--a clear step toward our modern concern for the word and its varying levels of signification.
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As she demonstrates, Shakespeare's works, and English literature in general, came to be defined by their words rather than by the plots and morality on which the older aesthetic theory focused--a clear step toward our modern concern for the word and its varying levels of signification.
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Edition: 2014, University Press of Kentucky
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9780813156132
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All Editions of The Re-Imagined Text: Shakespeare, Adaptation, and Eighteenth-Century Literary Theory
