Though much beloved and widely produced, Moli???re's satirical comedies pose a problem for those reading or staging his works today: how can a genre associated with biting caricature and castigation deliver engaging theater? Instead of simply dismissing social satire as a foundation for Moli???re's theater, as many have done, Larry F. Norman takes seriously Moli???re's claim that his satires are first and foremost effective theater. Pairing close readings of Moli???re's comedies with insightful accounts of French social ...
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Though much beloved and widely produced, Moli???re's satirical comedies pose a problem for those reading or staging his works today: how can a genre associated with biting caricature and castigation deliver engaging theater? Instead of simply dismissing social satire as a foundation for Moli???re's theater, as many have done, Larry F. Norman takes seriously Moli???re's claim that his satires are first and foremost effective theater. Pairing close readings of Moli???re's comedies with insightful accounts of French social history and aesthetics, Norman shows how Moli???re conceived of satire as a "public mirror" provoking dynamic exchange and conflict with audience members obsessed with their own images. Drawing on these tensions, Moli???re portrays characters satirizing one another on stage, with their reactions providing dramatic conflict and propelling comic dialogue. By laying bare his society's system of imagining itself, Moli???re's satires both enthralled and enraged his original audience and provide us with a crucial key to the classical culture of representation.
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Add this copy of The Public Mirror: Moliere and the Social Commerce of to cart. $18.00, very good condition, Sold by Powell's Books Chicago rated 5.0 out of 5 stars, ships from Chicago, IL, UNITED STATES, published 1999 by University of Chicago Press.
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Add this copy of The Public Mirror: Moliere and the Social Commerce of to cart. $29.50, like new condition, Sold by Sequitur Books rated 5.0 out of 5 stars, ships from Boonsboro, MD, UNITED STATES, published 1999 by University of Chicago Press.
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New. Pairing close readings of Moliere's comedies with accounts of French social history and aesthetics, this book aims to show how Moliere perceived satire as a "public mirror" provoking dynamic exchange and conflict with audience members obsessed with their own images. Num Pages: 216 pages, black & white illustrations. BIC Classification: 2ADF; AN; DSBD; DSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230 x 152 x 14. Weight in Grams: 330. 1999. 2nd ed. Paperback.....We ship daily from our Bookshop.
Add this copy of The Public Mirror: Moliere and the Social Commerce of to cart. $34.26, new condition, Sold by Ria Christie Books rated 5.0 out of 5 stars, ships from Uxbridge, MIDDLESEX, UNITED KINGDOM, published 1999 by University of Chicago Press.
Add this copy of The Public Mirror: Moliere and the Social Commerce of to cart. $37.80, new condition, Sold by Books2anywhere rated 5.0 out of 5 stars, ships from Fairford, GLOUCESTERSHIRE, UNITED KINGDOM, published 1999 by The University of Chicago Press.
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PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.