First published in 1956 and then again in 1994. Seldes can be viewed as a pioneer of popularising and giving value to popular culture in his various publications since 1924. Many critics now argue that it is now unauthenticated to argue that popular culture and elite culture are different.
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First published in 1956 and then again in 1994. Seldes can be viewed as a pioneer of popularising and giving value to popular culture in his various publications since 1924. Many critics now argue that it is now unauthenticated to argue that popular culture and elite culture are different.
Read Less
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 600grams, ISBN:
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. Dust jacket in poor condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 600grams, ISBN:
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Seller's Description:
Very good. 8vo, black cloth-backed boards. New York: Simon & Schuster, 1956. First edition. Some discoloration at foot of spine, else a very good copy.
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Seller's Description:
Near Fine. First edition. Octavo. 303, [2]pp. Very near fine lacking the dustwrapper. Important volume of criticism on commercial public art forms particularly television. Inscribed by the author to his sister-in-law: "Marian Love Gillie." Small post-it note in the hand of Gilbert Seldes' daughter, the Tony Award-winning actress Marian Seldes, identifying the recipient: "Marion Wells Hall. GS sister-in-law. 'Gillie' ". From the library of Marian Seldes. An important critical work.
