On their third album, The Prettiest Curse, Spanish quartet Hinds decide to try something a little different. With producer Jenn Decilveo's help, the band leave behind the ramshackle garage pop of their first two releases in favor of a slicker, bigger, and more emphatically poppy sound. The rhythm section has more thump and power, the guitars are less jagged, and there is more care overall put into the arrangements, which range from the bursting-with-sound power pop of "Good Bad Times" to the sparse acoustic balladry of ...
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On their third album, The Prettiest Curse, Spanish quartet Hinds decide to try something a little different. With producer Jenn Decilveo's help, the band leave behind the ramshackle garage pop of their first two releases in favor of a slicker, bigger, and more emphatically poppy sound. The rhythm section has more thump and power, the guitars are less jagged, and there is more care overall put into the arrangements, which range from the bursting-with-sound power pop of "Good Bad Times" to the sparse acoustic balladry of "Come Back and Love Me
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