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This British musical comedy was designed as a vehicle for popular 1930s bandleader Ambrose, here cast as "himself". The plot, which was the handiwork of no fewer than four scenarists, is the old one about the pretty but unappreciated slavey (Evelyn Dall) who is suddenly and spectacularly thrust into high society, much to the discomfort of her evil guardian. In other words, it's Cinderella in modern dress. But never mind all that: the film's real attraction is its unending parade of specialty performers. American jazz singer ...

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