Excerpt from The Photo-Miniature, Vol. 12: August 1914 First, it is usual to finish enlargements upon an easel, inclined at an angle of some seventy-five or more degrees. The worker may either sit or stand before the easel, as he. Prefers, with the eyes at a considerable distance from the enlargement, which working distance will vary according to the size of the enlargement, say from fif teen inches to arm's length. If one works too close to the enlarged print, he will give too much attention to niggling detail, and the ...
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Excerpt from The Photo-Miniature, Vol. 12: August 1914 First, it is usual to finish enlargements upon an easel, inclined at an angle of some seventy-five or more degrees. The worker may either sit or stand before the easel, as he. Prefers, with the eyes at a considerable distance from the enlargement, which working distance will vary according to the size of the enlargement, say from fif teen inches to arm's length. If one works too close to the enlarged print, he will give too much attention to niggling detail, and the portrait will probably have a dirty and patchy appearance. By working as far as may be convenient from the print, the student will acquire that free, easy touch which gives what is called a broad treatment, as seen in the work of skilled finishers. The working attitude or position should be easy and unconstrained, for freedom of position gives freedom and latitude of stroke or touch; while a constrained, cramped, Or stoop-shouldered position makes for failure and poor work. The left hand should hold the palette (if brush and color-work is in hand) and the mahlstick (fig. I), to steady the right hand and keep it from resting on or touching the surface of the portrait. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Add this copy of The Photominiature, Vol 12 August 1914 Classic Reprint to cart. $21.87, new condition, Sold by Books2anywhere rated 5.0 out of 5 stars, ships from Fairford, GLOUCESTERSHIRE, UNITED KINGDOM, published 2018 by Forgotten Books.
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PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
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PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Add this copy of The Photo-Miniature, Vol. 12: August 1914 (Classic to cart. $31.70, new condition, Sold by Paperbackshop International rated 2.0 out of 5 stars, ships from Fairford, GLOS, UNITED KINGDOM, published 2018 by Forgotten Books.
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PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Add this copy of The Photominiature, Vol 12 August 1914 Classic Reprint to cart. $35.98, new condition, Sold by Paperbackshop rated 4.0 out of 5 stars, ships from Bensenville, IL, UNITED STATES, published 2018 by Forgotten Books.
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Add this copy of The Photo-Miniature, Vol. 12: August 1914 (Classic to cart. $60.10, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2017 by Forgotten Books.
Add this copy of The Photo-Miniature, Vol. 12: August 1914 (Classic to cart. $75.21, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2018 by Forgotten Books.