Excerpt from The Philosophy of Benedetto Croce: The Problem of Art and History AT the end of the volume I have given a list of Croce's principal works on Philosophy and of the English translations. I have not made use of the English translations in the present study. My references are to the original Italian, and where I have made quotations I am entirely responsible for the rendering. In no case are the passages in quotation marks literal translations; they are freely paraphrased. What I have endeavoured to do is to ...
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Excerpt from The Philosophy of Benedetto Croce: The Problem of Art and History AT the end of the volume I have given a list of Croce's principal works on Philosophy and of the English translations. I have not made use of the English translations in the present study. My references are to the original Italian, and where I have made quotations I am entirely responsible for the rendering. In no case are the passages in quotation marks literal translations; they are freely paraphrased. What I have endeavoured to do is to understand the philosophical meaning and express it in my own manner so much so that in many cases the quotation marks are put for reference purposes only. English readers are deeply indebted to my friend, Mr. Douglas Ainslie, the translator of Croce's works, for his indefatigable zeal in spreading the fame of his author and obtaining recognition for the originality of his philosophy. On one important point of terminology I find that I differ not only from Mr. Ainslie but from others who have written on Croce's philosophy, and this is not mere caprice. They use the term spirit for what I call mind. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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