For over 30 years, The New York Times Magazine has been synonymous with the myriad possibilities and applications of photography. The New York Times Magazine: Photographs reflects upon and interrogates the very nature of both photography and print magazines at this pivotal moment in their history and evolution. Edited by Kathy Ryan, longtime photo editor of the Magazine, and with a preface by former editorial director Gerald Marzorati, this volume presents some of the finest commissioned photographs worldwide in four ...
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For over 30 years, The New York Times Magazine has been synonymous with the myriad possibilities and applications of photography. The New York Times Magazine: Photographs reflects upon and interrogates the very nature of both photography and print magazines at this pivotal moment in their history and evolution. Edited by Kathy Ryan, longtime photo editor of the Magazine, and with a preface by former editorial director Gerald Marzorati, this volume presents some of the finest commissioned photographs worldwide in four sections: reportage, portraiture, style and conceptual photography, including photo illustration. Diverse in content and sensibility, and consistent in virtuosity, the photographs are accompanied by reproduced tear sheets to allow for the examination of sequencing and the interplay between text and image, simultaneously presenting the work while illuminating its distillation to magazine form. This process is explored further through texts offering behind-the-scenes perspective and anecdotes by the many photographers, writers, editors and other collaborators whose voices have been a part of the magazine over the years. Issues of documentary photography are addressed in relation to more conceptual photography; the efficacy of storytelling; and what makes an image evidentiary, objective, subjective, truthful or a tool for advocacy; as well as thoughts on whether these matters are currently moot, or more critical than ever. As such, The New York Times Magazine: Photographs serves as a springboard for a rigorous, necessary and revitalized examination of photography as presented within a modern journalistic context.
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Jumbo-sized. Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD.
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Fair. HARDCOVER Acceptable-This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.
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Very Good-in Very Good-dust jacket. 1597111465. Minor scratches and smudges to DJ and covers. Very Good overall condition otherwise. No other noteworthy defects. No writing. Heavy item; additional shipping may be required for priority or international orders.; Hardcover; 448 pages.
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Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Oversized.
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Fine in fine jacket. Illustrated (color and black & white). 448 pages. Large 4to, white boards, dust wrapper. New York: Aperture Foundation, (2011). A fine copy, as new in original shrink-wrap.
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Near Fine in Fine dust jacket. 1597111465. Color and black and white photographs and notes by 140 photographers. First printing. One slightly bumped corner, else fine in a fine dust jacket. Still in original shrinkwrap.
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Very Good in Very Good jacket. Size: 14x11x1; An exceptional hardcover with a crisp dust jacket, a tight binding and an unmarked text. First edition, with a full number line. From a private smoke free collection. Shipping within 24 hours, tracking number and delivery Confirmation. No overseas shipping due to size.
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New. 1597111465. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--448 pp.; over 600 illustrations, many in color. --with a bonus offer--
