Alexander Scriabin was one of a few major composers who revolutionized musical style in the first decade of the twentieth century by eliminating key as a structural principle and by establishing a new use of dissonant harmonies. This book by James M. Baker is a study of Scriabin's twentieth-century music, the first thorough analysis of the composer's evolution from conventional tonality to his later atonal structure. Baker demonstrates that in Scriabin's transitional music, tonal and atonal procedures--generally considered ...
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Alexander Scriabin was one of a few major composers who revolutionized musical style in the first decade of the twentieth century by eliminating key as a structural principle and by establishing a new use of dissonant harmonies. This book by James M. Baker is a study of Scriabin's twentieth-century music, the first thorough analysis of the composer's evolution from conventional tonality to his later atonal structure. Baker demonstrates that in Scriabin's transitional music, tonal and atonal procedures--generally considered mutually exclusive--work together to create unified compositions. Baker places Scriabin's harmony in the perspective of voice leading, applying Schenkerian techniques of analysis to his music for the first time. He explains the great variety of sonorities and their complex relations within the framework of set-complex theory and introduces an original method of statistical analysis to survey Scriabin's harmonic practice from 1903 to 1914. Offering comprehensive analyses of a considerable number of complete compositions, including such important works as the Fifth Piano Sonata and the Poem of Ecstasy , Baker concludes with a penetrating examination of Prometheus , Scriabin's largest and most complex composition. The literature thus far on Scriabin has emphasized aspects of his often eccentric personality and has focused narrowly on his use of certain characteristic harmonies, especially the famous "mystic chord." This thought-provoking theoretical treatise takes an important step toward a deeper understanding of the composer's accomplishments.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 750grams, ISBN: 0300033370.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 800grams, ISBN: 0300033370.
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Seller's Description:
VG-/VG-(Ex-library with stamps and labels on spine, inside front and rear covers, ffep and block. Light shelfwear to boards and block. ) Red cloth boards with silver spine lettering; black dj, bw illustration and white lettering; mylar cover; xiii, 289 pp; bw illustrations, music. Contents: List of special analytic notations--Tonality in the transitional works I: General considerations--Tonality in the transitional works II: Prolongational procedures--Tonality in the transitional works III: Fundamental structure--Aspects of atonality in the transitional music--Relations among sets in the transitional music--On the border of atonality: the "Feuillet d'album" op. 58 and the prelude op. 59/2--Relations among sets in the atonal music--Tonality and atonality in the Extended forms I: the sonatas--Tonality and atonality in the Extended forms II: the orchestral works. Includes bibliographical references (pages 275-281) and index.
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Seller's Description:
PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.