Attentive to the tenuousness of freedom, Ze Winters argues that the concubine figure's manifestation as both historical subject and African diasporic goddess indicates her centrality to understanding how black subjects performed gender, theorized race and freedom, and produced their own diasporic identities within Atlantic slave societies.
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Attentive to the tenuousness of freedom, Ze Winters argues that the concubine figure's manifestation as both historical subject and African diasporic goddess indicates her centrality to understanding how black subjects performed gender, theorized race and freedom, and produced their own diasporic identities within Atlantic slave societies.
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