Throughout the pages of "The Moustache of La Gioconda," Arroyo spells out a reflection on the copy, the reinterpretation, the intervention, the appropriation and the other adjacent artistic strategies, which he agglutinates with the appellative "pastiche" and, as he points out, which counted when he started his career with a new context that couldn't be rejected.
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Throughout the pages of "The Moustache of La Gioconda," Arroyo spells out a reflection on the copy, the reinterpretation, the intervention, the appropriation and the other adjacent artistic strategies, which he agglutinates with the appellative "pastiche" and, as he points out, which counted when he started his career with a new context that couldn't be rejected.
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Seller's Description:
New. 8496763196. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--Text in English. 184 pp. 27 x 22 cm. --with a bonus offer--
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Seller's Description:
Fine. Fine Dust Jacket. Square 4to. 178pp. Photos & illustrations in color and black & white thru-out. Text in English & Catalan. Promoting global literacy for over 30 years.
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Seller's Description:
Fine in Near Fine jacket. This is a fine hardcover copy with a near fine dust jacket with almost no wear. Completely clean. Text in English. This monograph was prepared to accompany the exhibition at the Museo de Bellas Artes Bilbao and then at the Museo Nacional Centro de Arte Reina Sofia in 2009. Eduardo Arroyo Rodríguez (1937-2018) was a Spanish painter and graphic artist. He was also active as an author and set designer. In this book he discusses the appropriation strategies so prevalent in the second half of the twentieth century's art. Illustrated throughout mostly in color. 10" high X 8" wide, 177 pages. This book will be securely packed and shipped with tracking.