Responding to ongoing debates over the role of humanism in the rise of empirical science, Thomas DaCosta Kaufmann explores the history of Renaissance art to help explain the complex beginnings of the "scientific revolution." In a rich collection of new and previously published essays addressing conceptions of the mastery of nature, he discusses the depiction of nature in works of art, scientific approaches to understanding the world, and imperial claims to world control. This interdisciplinary approach elucidates the ...
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Responding to ongoing debates over the role of humanism in the rise of empirical science, Thomas DaCosta Kaufmann explores the history of Renaissance art to help explain the complex beginnings of the "scientific revolution." In a rich collection of new and previously published essays addressing conceptions of the mastery of nature, he discusses the depiction of nature in works of art, scientific approaches to understanding the world, and imperial claims to world control. This interdisciplinary approach elucidates the varying ways art, science, and humanism interact. This book contains a new assessment of the origins of trompe-l'oeil illumination in manuscript painting in response to religious devotional practices; an account of the history of shadow projection in art theory in relation to perspective, astronomy, and optics; an analysis of poems by the painter Georg Hoefnagel demonstrating how religious, philosophical, and political concerns impinge on questions of imitation; ground-breaking interpretations of Arcimboldo's paintings of composite heads as imperial allegories; an account of a poet-astronomer's collaboration with artists; an essay on "Ancients" and "Moderns" in art and science in Prague; and a new review of art, politics, science, and the Kunstkammer.
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Seller's Description:
Very good in Good jacket. Jacket is worn along edges but is otherwise in great condition. Cover is in excellent condition. Spine is slightly shaken, but binding is secure. Inside is clean and unmarked.
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Seller's Description:
Very good in Very good jacket. Jacket is moderately shelf worn but otherwise in great condition. Cover is in excellent condition, with no visible flaws apart from minor scuffing along bottom edge of cover boards. Spine is shaken, but binding is secure. Inside is clean and unmarked.
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Seller's Description:
Very good in very good dust jacket. Tight binding. Pages clean looks as if it has hardly been opened. Dust Jacket has a crease on the inside back cover and there is some slight shelf wear. 325 p. Audience: General/trade. This is a very rich collection of essays that represents a number of important contributions to art history and to the history of science.
