In a vivid depiction of Ancient Greece and its legendary heroes, The Mask of Apollo tells the story of Nikeratos, the gifted tragic actor at the centre of political and cultural activity in Athens, 400 B. C. Wherever he goes, Nikeratos carries a golden mask of Apollo, a relic and reminder of an age when the theatre was at the height of its greatness and talent. Only a mascot at first, the mask gradually turns into Nikeratos' conscience as he encounters famous thinkers, actors, and philosophers, including the famous ...
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In a vivid depiction of Ancient Greece and its legendary heroes, The Mask of Apollo tells the story of Nikeratos, the gifted tragic actor at the centre of political and cultural activity in Athens, 400 B. C. Wherever he goes, Nikeratos carries a golden mask of Apollo, a relic and reminder of an age when the theatre was at the height of its greatness and talent. Only a mascot at first, the mask gradually turns into Nikeratos' conscience as he encounters famous thinkers, actors, and philosophers, including the famous Plato himself.
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Good. Good Jacket. Size: 19 to 25 cm tall, Octavo, (8vo); First Edition. Hardcover. Posted within 1 working day. 1st class tracked post to the UK, Airmail tracked worldwide. Robust recyclable packaging.
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Good. Trade paperback (US). Glued binding. 384 p. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
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Good in Good/Price Clipped jacket. Size: 8vo-over 7¾"-9¾" tall; Type: Book N.B. Dust jacket is price clipped. Two inch closed tear to spine edge of title page. (LITERATURE)
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Good. All orders are dispatched within 1 working day from our UK warehouse. Established in 2004, we are dedicated to recycling unwanted books on behalf of a number of UK charities who benefit from added revenue through the sale of their books plus huge savings in waste disposal. No quibble refund if not completely satisfied.
When I first read this book, more decades ago than I prefer to quantify, I was struck by how reality-based was her depiction of classic theatre architecture and equipment. To me, that was more informed history than fiction. Some of the scholarly assertions had no contact with the reality of sight lines and such like. Staging a production is staging a production, regardless of the century. Any theatre student worth his salt can chart the progress from Thespis to Euripides in terms of the number of speaking parts and the derivation from skene to scene. So the trick is bringing the period believably to life. This she does quite admirably.