The hardest-working man in Americana, Charley Crockett decided to take a different approach on The Man from Waco: he took his touring band the Blue Drifters into the studio to cut their record direct to tape. Relying on the group's dexterous, energetic live energy frees Crockett to wander down many scenic byroads, lingering in areas that feel strangely familiar. No specific sound or style on The Man from Waco is new to Crockett, yet the way he's flowing from cowboy ballads to Western swing to Southern soul gives the album a ...
Read More
The hardest-working man in Americana, Charley Crockett decided to take a different approach on The Man from Waco: he took his touring band the Blue Drifters into the studio to cut their record direct to tape. Relying on the group's dexterous, energetic live energy frees Crockett to wander down many scenic byroads, lingering in areas that feel strangely familiar. No specific sound or style on The Man from Waco is new to Crockett, yet the way he's flowing from cowboy ballads to Western swing to Southern soul gives the album a lucid, fresh feeling. The range of styles and vast openness of the arrangements suggest a Cinemascope Western that is intentional, too. Crockett grouped his 15 originals around a loose thematic narrative chronicling the titular man from Waco on the run after an accidental killing. Knowledge of this dramatic undercurrent enhances the emotional thrust of the album, but the nice thing about The Man from Waco is that it can be enjoyed as a collection of sturdy individual songs, each an example of a certain mid-century roots music tradition. Taken one by one, the tracks are compelling short stories, but when assembled as an album, they gain a collective strength that carries a mighty wallop. ~ Stephen Thomas Erlewine, Rovi
Read Less
Portions of content provided by Rovi Corporation. © 2024 Rovi Corporation.