Award-winning author Lois Duncan and Navajo artist Shonto Begay collaborate in this enchanting Navajo teaching tale. Through the magic of Spider Woman, a young girl learns one of the most vital lessons of Navajo culture--the importance of leading a balanced life. Full color.
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Award-winning author Lois Duncan and Navajo artist Shonto Begay collaborate in this enchanting Navajo teaching tale. Through the magic of Spider Woman, a young girl learns one of the most vital lessons of Navajo culture--the importance of leading a balanced life. Full color.
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Seller's Description:
Fair. This copy has clearly been enjoyed-expect noticeable shelf wear and some minor creases to the cover. Binding is strong and all pages are legible. May contain previous library markings or stamps.
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Seller's Description:
Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
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Seller's Description:
Shonto Begay. New. No Jacket Issued. Book CONDITION: NEW 2000 Scholastic paperback, 1st paperback edition, 2nd printing. Beautiful color illustrations by Shonto Begay using Southwestern hues. CONTENT: Much more than a pourquoi tale, this story also concerns the rejection of obsession, even in the service of beauty, and recalls the Greek myth of Arachne. When Wandering Girl learns from Spider Woman how to make blankets from her sheep's wool, she is renamed Weaving Woman. She marries and spends a winter at her loom. In the spring, she discovers how to make dyes and is inspired to "create the most beautiful blanket in all of the world." As this goal consumes her, she forgets the Navajo Middle Way; her life loses its balance and her spirit becomes trapped in the blanket. Through a shaman's intervention, Spider Woman returns to pull a loose strand from the border, spoiling its perfection and freeing the weaver's spirit. Since then, the text adds, "every Navajo blanket has been woven with a pathway, so the spirit of the weaver will not be imprisoned by its beauty." The details Duncan adds from the Dineh creation story, as well as the happy ending, make it distinctively Navajo, as do Begay's light-spangled paintings. Significantly, in almost every one, the perfect rectangle of the illustration is broken by an element of the design extending beyond it: a visual reminder of the story's moral. The impact of the heroine's decision to use dyes is somewhat lessened by the brightly patterned clothing she wears throughout. Nevertheless, Begay's dramatic shifts of perspective, his innate sensitivity to the land and people depicted, and the text's powerful message about pride's deadly effects combine in an appealing and meaningful way.