This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other ...
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Seller's Description:
Well-illustrated. Nearly fine copy in the original gilt-decorated cloth. Tipped-in color plates. 4to, 319 pp., Edited by T. Leman Hare, "a new impression"
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Seller's Description:
Tight binding, clean throughout, colorful plates, worn boards with stains across the back and a white stain over the "L" in Louvre, worn edges, in just "Good" condition. 319pp, quarto, tipped-in plates.
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Seller's Description:
Near Fine. No Jacket. 4to xv, 319 pp, preface, list of the 50 tipped-in color plates, introduction, Early Sienese School; The Florentine School; The Later Sienese School; The Umbrian School; The Venetian School; The Padusn School; The School of Verona; The School of Ferrara; The School of Milan; The School of Lombardy; et al.; The Decadent Schookls The Early Flemish Schools; The Late Flemish Schools; The German School; The Spanish School; The Dutch School; The Early French School; The 16th-through 19th-Century French School; The British School. Edited by T. Leman Hare. Edited by T. Leman Hare: A New Impression: 1925. "This book offers a thorough, comprehensive, and systematic study of the pictures of the gret national collection contained in the Louvre which extend from the early years of the 14th century down to almost to the date of publication, and are arranged by artist, country, school and period. The illustrations which have been selected represent the whole range of the art of each country and school comprised within the limits of the 15 to the 19 centuries." from the Preface. Lightly age-toned bottom and fore-text block edge, else, Pristine, no wear. Clean, tight and strong binding with no underlining, highlighting or marginalia. Tan cloth with gilt lettering on front board, and gilt motif and lettering to spine, and gilt top text block edge.