With one suitcase as his domain, Arthur was desperately in need of armed henchmen ... for his keys to a kingdom were typewriter keys! Frederik George Pohl, Jr. (born November 26, 1919) is a American science fiction writer, editor and fan, with a career spanning over sixty years. From about 1959 until 1969, Pohl edited Galaxy magazine and its sister magazine if, winning the Hugo for if three years in a row. His writing also won him three Hugos and multiple Nebula Awards. He became a Nebula Grand Master in 1993. Pohl's family ...
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With one suitcase as his domain, Arthur was desperately in need of armed henchmen ... for his keys to a kingdom were typewriter keys! Frederik George Pohl, Jr. (born November 26, 1919) is a American science fiction writer, editor and fan, with a career spanning over sixty years. From about 1959 until 1969, Pohl edited Galaxy magazine and its sister magazine if, winning the Hugo for if three years in a row. His writing also won him three Hugos and multiple Nebula Awards. He became a Nebula Grand Master in 1993. Pohl's family moved a number of times in his early years. His father held a number of jobs, and the Pohls lived in such wide-flung locations as Texas, California, New Mexico, and the Panama Canal Zone. Around age seven, they settled in Brooklyn. He attended the prestigious Brooklyn Tech high school, but due to the Great Depression, Pohl dropped out of school at the age of fourteen to work. While still a teenager he began a lifelong friendship with fellow writer Isaac Asimov, also a member of the New York-based Futurians fan group. In 1936, Pohl joined the Young Communist League, an organization in favor of trade unions and against racial prejudice and Hitler and Mussolini. He became President of the local Flatbush III Branch of the YCL in Brooklyn. Some say that party elders expelled him, in the belief that the escapist nature of science fiction risked corrupting the minds of youth; he says that after Stalin-Hitler pact in 1939 the party line changed and he could no longer support it, so he left. From 1939 to 1943, he was the editor of two pulp magazines - Astonishing Stories and Super Science Stories. In his own autobiography, Pohl says that he stopped editing the two magazines at roughly the time of German invasion of the Soviet Union in 1941. Pohl has been married several times. His first wife, Leslie Perri, was another Futurian; they were married in August of 1940 but divorced during World War II. He then married Dorothy LesTina in Paris in August, 1945 while both were serving in Europe. In 1948 he married Judith Merril, an important figure in the world of science fiction, with whom he has one daughter, Ann. Merril and Pohl divorced in 1953. From 1953-1982 he was married to Carol Metcal Ulf. He is currently married to science fiction editor and academic Elizabeth Anne Hull, PhD, whom he married in 1984. Emily Pohl-Weary is Pohl's granddaughter. During the war Pohl served in the US Army (April 1943-November 1945), rising to Sergeant as an air corp weathermen. After training in Illinois, Oklahoma, and Colorado, he primarily was stationed in Italy. Pohl started his career as Literary Agent in 1937, but it was a sideline for him until after WWII, when he began doing it full time. He ended up "representing more than half the successful writers in science fiction"--for a short time, he was the only agent Isaac Asimov ever had--though, in the end it was a failure for him as his agenting business went bankrupt in the early 1950's. He collaborated with friend and fellow Futurian Cyril M. Kornbluth, co-authoring a number of short stories and several novels, including a dystopian satire of a world ruled by the advertising agencies, The Space Merchants (a belated sequel, The Merchants' War [1984] was written by Pohl alone, after Kornbluth's death). This should not to be confused with Pohl's The Merchants of Venus, an unconnected 1972 novella which includes biting satire on runaway free market capitalism and first introduced the Heechee. A number of his short stories were notable for a satirical look at consumerism and advertising in the 1950s and 1960s: "The Wizard of Pung's Corners", where flashy, over-complex military hardware proved useless against farmers with shotguns, and "The Tunnel Under the World", where an entire community is held captive by advertising researchers.
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