The antiquarians and artists of the 18th and 19th centuries had an important influence on modern ideas surrounding Ancient Britain, and the way that it is popularly pictured. Whilst many of their ideas have been superseded by modern archaeological excavation many of their myths and images, particularly that of the Druid, survive today.
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The antiquarians and artists of the 18th and 19th centuries had an important influence on modern ideas surrounding Ancient Britain, and the way that it is popularly pictured. Whilst many of their ideas have been superseded by modern archaeological excavation many of their myths and images, particularly that of the Druid, survive today.
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Fine. Sewn binding. Cloth over boards. 262 p. Paul Mellon Centre for Studies in British Art. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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VG. light shelf-wear to lower cover edges & corners. creasing to spine end. dustjacket back cover has edge-wear, scuffs & scratches. Green cloth with no dustjacket. x, 252 pp. Many bw plates. Smiles examines the interplay of antiquarian research, historiography, and the visual arts in constructing an image of Britain from prehistoric times to the arrival of the Saxons. He discusses such topics as the lengthening of prehistoric time in the contemporary view, the status of antiquarian learning, and the celebration of ancestral peoples as an offshoot of the growing sense of national identity. He describes the Celtic revival during the late eighteenth century, with its iconography that fashioned a pictorial repertoire for megaliths, bards, Druids, and the patriotic leaders Boadicea and Caractacus, who fought off the Romans. He also explains why the Victorians downgraded the Celts and replaced them with the Saxons, preferred by Victorians because they were Christians, because they were English (rather than British), and because they had established organized kingdoms. --Amazon.
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New. The author of this book sets out to investigate two fundamental issues: how was the remote past of Britain imagined in the 18th and 19th centuries and what part did visual arts play in the process? Series: The Paul Mellon Centre for Studies in British Art. Num Pages: 262 pages, 80 b/w illus. BIC Classification: 1DBK; ACV; HBAH; HBJD1. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 260 x 210 x 23. Weight in Grams: 1007. 1994. First Edition. Hardcover.....We ship daily from our Bookshop.
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New. Sewn binding. Cloth over boards. 262 p. Paul Mellon Centre for Studies in British Art. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Fine. Sewn binding. Cloth over boards. 262 p. Paul Mellon Centre for Studies in British Art. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.