Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good in Very Good jacket. Size: 8x1x10; 1988, Harvard University Press, Cambridge, MA. 457 pp. Sturdy hardcover in very good dust jacket. Unmarked interior. Light foxing along top edge. Rear dj flap has multiple creases likely from being used to hold the page. Light shelf-wear on dj, not clipped (no price on flaps). No indication of edition or printing. 1h.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Good. Some staining to jacket and text block. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1100grams, ISBN: 0674301250.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Russian and Soviet Cinema in Documents (1896-1939). Co-ed. with intro: Ian Christie. 479pp small 4to, ills. Cambridge, Mass. 1988. Very good copy in very good dust jacket.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very good. Hardcover edition in very good condition. No marks inside or out, covers clean, dustjacket fresh. Collection of texts from primary-source documents from Mayakovsky, Kuleshov, Gorky, Stalin, Eisenstein, Pudovkin and others. Includes black and white photographs and film stills throughout, numerous appendices, and index. 457 pages.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
8vo. 457 pp. Very Good. Hard Cover. Blue cloth covered boards, with gilt lettering. Dust Jacket Very Good. Minor shelf wear. B&W Photo plates throughout. ISBN: 0674301250 9780674301252. Provenance: from the Estate of Judy Stone (1924-2017), The San Francisco Chronicle's movie critic who for two decades was a passionate and articulate advocate for the world of cinema outside Hollywood. Judy Stone started at the San Francisco Chronicle in 1961, putting in 10 years as editor of the Datebook section. She began reviewing films for the paper in 1971, favoring arthouse films. She was the youngest of four politically minded children whose eldest brother was the great reporter and gadfly I. F. Stone. She won the Novikoff Award given for "enhancing the public's appreciation of world cinema." Among her publications are "The Mystery of B. Traven" and "Eye on the World, " a collection of her interviews with filmmakers from the 1960s to the 1990s. Contents: The Lumiere Cinematograph [extracts] /Maxim Gorky--First Letter on Theatre [extracts] / Leonid Andreyev--Theatre, Cinema, Futurism / Vladimir Mayakovsky--The Destruction of 'Theatre' by Cinema as a Sign of the Resurrection of Theatrical Art / Vladimir Mayakovsky--The Relationship Between Contemporary Theatre and Cinema and Art / Vladimir Mayakovsky--Second Letter on Theatre [extract] / Leonid Andreyev--On Cinema / Vsevolod Meyerhold--The Tasks of the Artist in Cinema / Lev Kuleshov--The Art of Cinema / Lev Kuleshov--The Tasks of the State Cinema in the RSFSR / Anatoli Lunacharsky--Art Belongs to the People. Conversation with Clara Zetkin / Vladimir Lenin--Directive on Cinema Affairs / Vladimir Lenin--Conversation with Lenin. I. Of all the Arts.../ Anatoli Lunacharsky--Conversation with Lenin. II. Newsreel and Fiction Film / Anatoli Lunacharsky--Eccentrism / Grigori Kozintsev [and others]--Open Letter to Nemirovich-Danchenko and Stanislavsky / Alexei Voznesensky--'Art' Cinema / Lev Kuleshov--Cinema as the Fixing of Theatrical Action / Lev Kuleshov--The Cinematograph and Cinema / Alexei Gan--Art, Contemporary Life and Cinema / Lev Kuleshov--We. A Version of a Manifesto / Dziga Vertov--Americanism / Lev Kuleshov--Chamber Cinema / Lev Kuleshov--Cinema and Cinema / Vladimir Mayakovsky--The 'Left Front' and Cinema / Alexei Gan--The Thirteenth Experiment / Alexei Gan--Two Paths / Alexei Gan--The Cine-Pravda / Dziga Vertov--Quasi-Theses / Proletkino--The Montage of Attractions / Sergei Eisenstein--The Cine-Eyes. A Revolution / Dziga Vertov--Vodka, the Church and the Cinema / Lev Trotsky--Russfilm Script Competition. Literature and Cinema [extracts] / Viktor Shklovsky--Declaration of the Association of Revolutionary Cinematography--The Red Clown to the Rescue! / Leonid Trauberg--Recognition for the Cine-Eyes / Alexei Gan--Mr West / Lev Kuleshov--Revolutionary Ideology and cinema--Theses / Anatoli Lunacharsky--Resolution of Thirteenth Party Congress on Cinema / Thirteenth Party Congress on Cinema--The Cine-Pravda: A Report to the Cine-Eyes / Dziga Vertov--Decree on the Establishment of Sovkino / Sovnarkom of the RSFSR--Fiction Film Drama and the Cine-Eye / Dziga Vertov--Against the 'Theatre of Fools'--For Cinema / Vladimir Blyum--Our Cinema and Its Audience / Anatoli Goldobin--Theatre or Cinema? / Zhizn iskusstva Editorial--Cinema and Theatre / Abram Room--Cine-Pravda and Radio-Pravda / Dziga Vertov--The Semantics of Cinema / Viktor Shklovsky--Cinema and the Soviet Public / Grigori Boltyansky--The Battleship Potemkin / Adrian Piotrovsky--A New Triumph for Soviet Cinema (The Battleship Potemkin and the 'Theatrical October') / Alexei Gvozdev--Literature, Theatre and Cinema [extract] / Vladimir Kirshon--The Future of Film / BeÌla BalaÌzs--BeÌla Forgets the Scissors / Sergei Eisenstein--The Soviet Cinema in Danger / Alexander Dubrovsky--The Factory of Facts / Dziga Vertov--Where is Dziga Vertov Striding? / Viktor Shklovsky--The Manufacture of Facts / Esfir Shub--The Cine...
