Holden contends that the best postwar American poets have shed the elitist vestiges of modernism and have enlarged both the capabilities of poetry and its appeal to a general audience by incorporating subject matter formerly confined to other genres.
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Holden contends that the best postwar American poets have shed the elitist vestiges of modernism and have enlarged both the capabilities of poetry and its appeal to a general audience by incorporating subject matter formerly confined to other genres.
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