Excerpt from The 'Eumenides' of Aeschylus: With an Introduction, Commentary, and Translation Much is due to periodical publications, especially to papers by Dr W. Headlam. Obligations, so far as I am aware of them, are acknowledged in their place; but I am conscious of debts not traceable. Many Of my own scattered publications I have adapted or modified without notice. In particular, I have not remarked on the frequent disagreement between this book and the 'acting edition' Of the play, which I made when it was performed ...
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Excerpt from The 'Eumenides' of Aeschylus: With an Introduction, Commentary, and Translation Much is due to periodical publications, especially to papers by Dr W. Headlam. Obligations, so far as I am aware of them, are acknowledged in their place; but I am conscious of debts not traceable. Many Of my own scattered publications I have adapted or modified without notice. In particular, I have not remarked on the frequent disagreement between this book and the 'acting edition' Of the play, which I made when it was performed at Cambridge in 1885. The requirements Of that occasion will account for any divergence. More perhaps than to any book, or as much, I am indebted to conversations, especially with colleagues in Trinity College or in Cambridge. I am certain, for instance, that to the late Mr R. A. Neil of Pembroke College I owe many hints and corrections, though not one can I definitely refer to him. Sir Richard Jebb also must have left traces Of this kind upon my work, and others, both lost and living, whom I cannot distinguish. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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