This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1896 Excerpt: ... B. C. 360) of Sparta. Cf. note on Callicles in 5 87. Add. 3. adornantes se: cf. the fscliumene in j 70. Antignotus: an artist of the name, /. G. B. 314-316 (Augustan). 4. supra dictos: descriptive of the actual personages portrayed; unnecessary difficulty has been caused (cf. Loewy on /. G. B. 314) by assuming that ...
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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1896 Excerpt: ... B. C. 360) of Sparta. Cf. note on Callicles in 5 87. Add. 3. adornantes se: cf. the fscliumene in j 70. Antignotus: an artist of the name, /. G. B. 314-316 (Augustan). 4. supra dictos: descriptive of the actual personages portrayed; unnecessary difficulty has been caused (cf. Loewy on /. G. B. 314) by assuming that they referred to the group mentioned in 70. Athenodorus: xxxvi, 37. 5. Aristodemus: according toTatian, p. 36, 9 (ed. Schwartz), makes a statue of Aisop, i.e. a work which would fall under the heading of philosophi. 6. anus: votive portraits of priestesses, such as that of Lysimache, above 76. Fuitw'angler, DomauszuAer, p.26. Seleucum regem: above 73. 7. quoque: i. e. as well as the more celebrated Doryphoros of Polykleitos in 3 55.--H. L. U.. 87. Cephisodoti duo: (a) the artist of the Eirene, Paus. ix, 16, I, possibly father or brother of the great Praxiteles (cf. note on 50); ($) a son of Praxiteles, xxxvi, 24. 8. Mercurius... nutriens: the motive is identical with that of the Praxitelean Hermes. Addenda. 9. manu elata: the raised hand not being an action of Greek oratory (where even to allow the hand to protrude much from the cloak was thought unseemly, Aischines c. Tim. 35), it is probable that the statue belonged to the class adorantes, and that its gesture was misinterpreted by a Roman writer as being the familiar mantis elata of the Roman orators (Milchhbfler, Arch. Studien H. Brunn dargcb. 1893, p. 39). A recent conjecture manu velata as the equivalent of the ivrbs Ttjv x'V"1 X0, y f Aisch. loc. cit. has met with little favour, cf S. Reinach in Chron. d'Orunt, 1893, I will now enumerate those who made statues of the same 86 class, as Apollodoros, Androboulos, Asklepiodoros and iAIeuas, who Arl'sU made ...
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