Edwin Lutyens, one of the most famous architectural names of the twentieth century, died in 1944. As a memorial three large volumes of his drawings were commissioned from the thousands found in his office, and were published by Country Life . This first volume contains his own plans, elevations and copious details of the finest examples of his domestic buildings, on which his huge reputation principally rests; the other two volumes covered his work on corporate and public buildings. But it is the wonderfully inspirational ...
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Edwin Lutyens, one of the most famous architectural names of the twentieth century, died in 1944. As a memorial three large volumes of his drawings were commissioned from the thousands found in his office, and were published by Country Life . This first volume contains his own plans, elevations and copious details of the finest examples of his domestic buildings, on which his huge reputation principally rests; the other two volumes covered his work on corporate and public buildings. But it is the wonderfully inspirational development of his love for the old houses of Surrey - that he shared with his friend and client Gertrude Jekyll - that strikes such a warm response and results in a constant demand for this particular volume. It was not always so. The work of selecting the drawings took so long that by the time the print run had to be decided the Modern Movement had become popular and Lutyens' work looked distinctly old-fashioned. The result was that barely more copies were printed than would
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New. 1851491007. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--300 pages; 381 black and white illustrations. Description: "Edwin Lutyens, one of the most famous architectural names of the twentieth century, died in 1944. As a memorial three large volumes of his drawings were commissioned from the thousands found in his office, and were published by Country Life. This first volume contains his own plans, elevations and copious details of the finest examples of his domestic buildings, on which his huge reputation principally rests; the other two volumes covered his work on corporate and public buildings. But it is the wonderfully inspirational development of his love for the old houses of Surrey-that he shared with his friend and client Gertrude Jekyll-that strikes such a warm response and results in a constant demand for this particular volume. It was not always so. The work of selecting the drawings took so long that by the time the print run had to be decided the Modern Movement had become popular and Lutyens' work looked distinctly old-fashioned. The result was that barely more copies were printed than would satisfy the list of subscribers and the antiquarian demand has pushed the price into four figures. The genius of Lutyens is now universally recognised and in the drawings in this book we can now see not just the professionalism of a great architect, but also the loving care with which he set down the most minute detail, with the result that this is one of the few books in existence which can be used to provide working drawings."--with a bonus offer--