Excerpt from The Contemporary Drama of England The situation of the theatre before the correcting Act may best be shown by distinguishing between its legal and actual status. Before 1843 only three theatres in England were legally empowered to play the legitimate national drama, Shakespeare, Beaumont and Fletcher, Congreve, Otway, and others of the old dramatists. These theatres were Drury Lane and Covent Garden, which existed by patent granted by Charles II at the opening of the theatres in 1662, and the Little Theatre in ...
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Excerpt from The Contemporary Drama of England The situation of the theatre before the correcting Act may best be shown by distinguishing between its legal and actual status. Before 1843 only three theatres in England were legally empowered to play the legitimate national drama, Shakespeare, Beaumont and Fletcher, Congreve, Otway, and others of the old dramatists. These theatres were Drury Lane and Covent Garden, which existed by patent granted by Charles II at the opening of the theatres in 1662, and the Little Theatre in the Haymarket which lived under a renewable license, first granted in 1766 to Samuel Foote. These theatres were known as the majors. As they had a monopoly of legitimate plays, all other theatres, known as minors, were limited to concerts, farces, and variety entertainments. Serious efforts were made by law to distinguish between the legitimate play and the play to be produced by minors, and it was finally decreed that plays for the minors should be only those plays that had musical accompaniment. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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