In an examination of the prose and poetry of Irish women writers from the late 18th century through the present, these writers argue that a hidden tradition of women's comedy has evolved side by side with the canonical comic tradition. They call for a revisionist reading of Ireland's comic intellectual heritage - a reading from the perspectives of two genders - and demand a new kind of double optic - an interpretative frame of reference capable of grappling with difference.
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In an examination of the prose and poetry of Irish women writers from the late 18th century through the present, these writers argue that a hidden tradition of women's comedy has evolved side by side with the canonical comic tradition. They call for a revisionist reading of Ireland's comic intellectual heritage - a reading from the perspectives of two genders - and demand a new kind of double optic - an interpretative frame of reference capable of grappling with difference.
Read Less
