The Child in Film examines popular films, questioning why the "child" has such an impact on the visual aspects and storytelling potential. It argues that the child as a liminal yet powerful agent has allowed filmmakers to play adventurously with cinema's formal conventions, with far-reaching consequences; reveals how a child's relationship to time allows it to disturb conventional master-narratives; explores how the concern for and investment in the child actor conceals the reality of film acting and the skills of the child ...
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The Child in Film examines popular films, questioning why the "child" has such an impact on the visual aspects and storytelling potential. It argues that the child as a liminal yet powerful agent has allowed filmmakers to play adventurously with cinema's formal conventions, with far-reaching consequences; reveals how a child's relationship to time allows it to disturb conventional master-narratives; explores how the concern for and investment in the child actor conceals the reality of film acting and the skills of the child performer; and addresses the expression of child sexuality, and questions existing assumptions as to who children "really are."
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