In this study, Joseph Duggan interprets the Cantar de mio Cid as a work that transmutes moral values first into the economic values of a gift economy, then into genealogical values. Considering the poem's distortions of history more significant than its retention of historical features, Duggan ascribes its depiction of the penurious hero who acquires wealth, power, and kinship alliances to the Castilian monarchy's preoccupations with furthering the victory of Las Navas de Tolosa. He maintains that the Cantar de mio Cid was ...
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In this study, Joseph Duggan interprets the Cantar de mio Cid as a work that transmutes moral values first into the economic values of a gift economy, then into genealogical values. Considering the poem's distortions of history more significant than its retention of historical features, Duggan ascribes its depiction of the penurious hero who acquires wealth, power, and kinship alliances to the Castilian monarchy's preoccupations with furthering the victory of Las Navas de Tolosa. He maintains that the Cantar de mio Cid was composed around the year 1200 in substantially the form in which we have it now, in the course of a singer's performance. Arguing against a number of tendencies in Cid scholarship, Professor Duggan denies the necessity of assuming that the poet was a man of learning, that he was directly influenced by French literature, or that he was familiar with written law.
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New. Print on demand Trade paperback (US). Contains: Unspecified. Cambridge Studies in Medieval Literature . Includes unspecified. Intended for professional and scholarly audience.
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Good. Ex-Library copy with typical library marks and stamps. Shelf and handling wear to cover and binding, with general signs of previous use. Stored and shipped in protective polybag; Secure packaging for safe delivery.
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Good. The jacket is scuffed/torn to its edges in places. Signed to the inside page, remains fine to read throughout, a decent enough copy. 192 p. Cambridge Studies in Medieval Literature . Intended for professional and scholarly audience.
Add this copy of The Cantar De Mio Cid Poetic Creation in Its Economic to cart. $52.00, very good condition, Sold by Treehorn Books rated 3.0 out of 5 stars, ships from Santa Rosa, CA, UNITED STATES, published 1989 by Cambridge University Press.
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Very Good+ in Very Good+ dust jacket. 052136194X. Inscribed and signed by author on title page.; Cambridge Studies In Medieval Literature, Series Number 5; 9.5 X 6.3 X 0.8 inches; 192 pages; Signed by Author.
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Very Good in Very Good dust jacket. Hardcover. 8vo. Cambridge University Press, Cambridge, UK. 1989. 192 pgs. Maps. Cambridge Studies in Medieval Literature First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. In this study, Joseph Duggan interprets the Cantar de mio Cid as a work that transmutes moral values first into the economic values of a gift economy, then into genealogical values. Considering the poem's distortions of history more significant than its retention of historical features, Duggan ascribes its depiction of the penurious hero who acquires wealth, power, and kinship alliances to the Castilian monarchy's preoccupations with furthering the victory of Las Navas de Tolosa. He maintains that the Cantar de mio Cid was composed around the year 1200 in substantially the form in which we have it now, in the course of a singer's performance. Arguing against a number of tendencies in Cid scholarship, Professor Duggan denies the necessity of assuming that the poet was a man of learning, that he was directly influenced by French literature, or that he was familiar with written law. E-215; Cambridge Studies In Medieval Literature; 9.0 X 6.0 X 0.5 inches; 192 pages.