"The Romantic period in literature coincided with two of the most significant transformations in modern history: the Industrial Revolution and, with it, the inflection point of the Anthropocene. Literary critics have shown that much of Romantic poetry expresses an uncanny insight into both of these transformations, including the human and ecological costs of what we now call a carbon-based economy. But was art really capable of making sense of the emerging crisis-or of changing the future? In a superbly nuanced work of ...
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"The Romantic period in literature coincided with two of the most significant transformations in modern history: the Industrial Revolution and, with it, the inflection point of the Anthropocene. Literary critics have shown that much of Romantic poetry expresses an uncanny insight into both of these transformations, including the human and ecological costs of what we now call a carbon-based economy. But was art really capable of making sense of the emerging crisis-or of changing the future? In a superbly nuanced work of literary criticism, Anahid Nersessian shows that poets began to disqualify themselves from explaining the train of consequences that industry set in motion. Their form of knowledge-if knowledge it be-was of an order different from science or economics, and could not bear the burden of accounting for environmental calamity. Romanticism, Nersessian argues, is of the Anthropocene but not about it, and she cautions against investing its poetry with a straightforwardly testimonial power. In doing so, she models an approach to criticism that reads within what Charles Olson calls "the shapeful," emphasizing the role of rhetorical figures in fashioning the posture a poem takes on a historical question. While focusing on the Romantics, Nersessian also ranges back to the seventeenth century (e.g., the poetry of Andrew Marvell) and forward to examples of contemporary poetry and conceptual art (e.g., Derek Jarman's poetry, and installations by Agnes Denes and Helen Mirra). Within literary studies, this is a widely anticipated book by one of the most brilliant critics of her generation"--
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Add this copy of The Calamity Form-on Poetry and Social Life to cart. $27.05, new condition, Sold by Ria Christie Books rated 5.0 out of 5 stars, ships from Uxbridge, MIDDLESEX, UNITED KINGDOM, published 2020 by University of Chicago Press.
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Fair. Acceptable-This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.
Add this copy of The Calamity Form: on Poetry and Social Life to cart. $43.71, good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2020 by University of Chicago Press.
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HARDCOVER Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Standard-sized.
Add this copy of The Calamity Form: on Poetry and Social Life to cart. $58.19, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2020 by University of Chicago Press.
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