Fernando Ortega is something of a rare animal in the genre of Contemporary Christian Music (CCM). Like the work of Sandi Patti, Steve Green, Karla Worley, or Bill and Gloria Gaither, The Breaking of the Dawn can easily be seen as a philosophical descendant of Psalm 95 or the music of Martin Luther. Its primary aim is not to explore human experience, or to entertain or instruct, but to extol, glorify, and exalt. The fundamental emotion it expresses is that of spiritual gratitude. But the other artists mentioned above are ...
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Fernando Ortega is something of a rare animal in the genre of Contemporary Christian Music (CCM). Like the work of Sandi Patti, Steve Green, Karla Worley, or Bill and Gloria Gaither, The Breaking of the Dawn can easily be seen as a philosophical descendant of Psalm 95 or the music of Martin Luther. Its primary aim is not to explore human experience, or to entertain or instruct, but to extol, glorify, and exalt. The fundamental emotion it expresses is that of spiritual gratitude. But the other artists mentioned above are primarily vocal performers. The focus of their records is not so much on the quality of the musical composition as on the range and power of their singing. Not so with Ortega. Though he possesses a pleasant and smooth vocal tone, he is not a flamboyant performer. Nor does he equate musical bombast with intensity of feeling. Instead, he expresses his gratitude through a beautifully reflective brand of acoustic-based new age folk-pop with Latin and Celtic accents. John Andrew Schreiner's production is lush but reserved, striking a delicate balance between Ortega's folk and pop influences. And if Schreiner occasionally leans on CCM clichés, the general authenticity of the compositions is never compromised. The textured arrangements include gentle harmonies from Cathy Schreiner and Susan Ashton, sensitive fiddling by Stuart Duncan, versatile fretwork by Christian folkie Buddy Miller, and resonant piano solos by Ortega himself. This is praise music that feels uncommonly honest and unaffected. ~ Evan Cater, Rovi
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Seller's Description:
Very good. Providing great media since 1972. All used discs are inspected and guaranteed. Cases may show some wear. We ship orders daily and Customer Service is our top priority!
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very good. Providing great media since 1972. All used discs are inspected and guaranteed. Cases may show some wear. We ship orders daily and Customer Service is our top priority!
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very good. Providing great media since 1972. All used discs are inspected and guaranteed. Cases may show some wear. We ship orders daily and Customer Service is our top priority!
Choose your shipping method in Checkout. Costs may vary based on destination.
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Very good. Disc(s) have been resurfaced using a professional-grade machine. Case shows moderate wear and tear. All items include the original case and artwork. All items ship Mon-Fri.
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Fair. All our items come in the original case with artwork, though manuals and slipcovers are not always guaranteed to be included as these items are donated goods and will show some wear and tear from normal use. Jewel cases will be included but may be damaged and/or cracked. We typically resurface discs that are visibly scratched prior to shipping, but we do not test disc(s). Digital codes may not be included and have not been tested to be redeemable and/or active. Thank you for shopping with Goodwill Colorado! Orders shipped Monday through Friday. Safe and Secure Bubble Mailer! Your purchase helps put people to work and learn life skills to reach their full potential. Thank you!
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Duhan/Schreiner; Ortega; Ortega/Rubenstein; Ortega/Rubenstein/S; Ortega/Schreiner; Traditional [1] Good. Used-Good Condition. Some signs of use, but nothing that should affect playback. Includes case and original artwork and liner notes when applicable.