Sister Sledge evolved quite a bit during the 12 years documented on this 1992 collection, which traces the Philadelphians' evolution from bubblegum soulsters to sexy but wholesome disco-era darlings to struggling urban-contemporary act. After early numbers like "Mama Never Told Me" and "Love Don't You Go Through No Changes on Me" (both recorded at a time when the sisters were still in their teens and came across as sort of a female Jackson 5), they dive headfirst into disco/soul with "Cream of the Crop" (an underrated, ...
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Sister Sledge evolved quite a bit during the 12 years documented on this 1992 collection, which traces the Philadelphians' evolution from bubblegum soulsters to sexy but wholesome disco-era darlings to struggling urban-contemporary act. After early numbers like "Mama Never Told Me" and "Love Don't You Go Through No Changes on Me" (both recorded at a time when the sisters were still in their teens and came across as sort of a female Jackson 5), they dive headfirst into disco/soul with "Cream of the Crop" (an underrated, Philly-sounding pearl) and finally hit the big time with the Chic-produced mega-hits "We Are Family" and "He's the Greatest Dancer." One hears Sledge entering the '80s on a high note with "Got to Love Somebody" but by the middle of the decade sounding less inspired on the singles "Frankie" and "Dancing on the Jagged Edge." One of the collection's most disappointing tracks is the reggae remix of "He's Just a Runaway." While it's true that this is the version that became a medium-size hit, the more rock-ish version found on All American Girls packs a much greater punch. But despite a few weak spots here and there, this is a gem-laden CD that paints a generally impressive picture of the group. ~ Alex Henderson, Rovi
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