Accompanying an exhibition organized by the Dallas Museum of Art, this book shows how artists at the turn of the century put photography to use in their paintings and sculptures. 450 illustrations, 350 in color.
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Accompanying an exhibition organized by the Dallas Museum of Art, this book shows how artists at the turn of the century put photography to use in their paintings and sculptures. 450 illustrations, 350 in color.
Read Less
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Seller's Description:
Exhibition catalogue. 310x230mm 336 pages with index. Illustrated color and black and white. Cloth. Fine in like dustjacket. An exploration of the ways in which some of the most influential artists of the 19th and 20th centuries used photography in their painting and sculpture. Paintings, sculpture and photographs by such artists as Bonnard, Degas, Gauguin, Moreau, Munch, Picasso and Rosso are discussed and reproduced. We are specialists in Catalogues: Exhibitions, Auctions, Collections, etc., with a picture of the cover available on request. All items are as described and dispatched within 36 hours in a secure package. We are professional booksellers with over 32 years experience, you may order with confidence.
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Seller's Description:
New. 0300081685. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--336 pp. With 487 ills. (206 col. ). 32 x 24 cm. --with a bonus offer--; 1.09 x 12.34 x 9.41 Inches.
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Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
VG/VG-(clean and tight; light bumping to dj edges) Black cloth with blind stamp lettering; color-illustrated dj with white lettering; 336 pp. full of duotone and color images. Catalogue from the exhibition held October 2, 1999 to January 4, 2000 at the San Francisco Museum of Modern Art and from February 1 to May 7, 2000 at the Dallas Museum of Art. Studies the paintings, sculptures and photographs of Bonnard, Brancusi, Degas, Gauguin, Khnopff, Moreau, Much, Munch, Picasso, Rodin, Rosso, Von Stuck, Vallotton and Vuillard. "This book offers an alternative account of the place of photography in late nineteenth and early twentieth century art history. In contrast to previous investigations, which have tended to align photography and realism, this book situates the photograph at the heart of the Symbolist aesthetic. Though many of the artists in this exhibition publicly renounced photography, each engaged in a highly creative dialogue with the medium."
