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Seller's Description:
New, still in shrinkwrap. Both vols. red cloth with white ill. DJ. Vol. I: xxiv, 246 pp. Vol. II: Pp. 247-557. Both vols illustrated with 620+ bw figures, 16 pp. of color plates. Contents pof this amazing set as follows: v. 1. Preface--Introduction for collectors--The catalogue--Forerunners--I: From Baroque to Rococo (1700-1749). Bernard Picart; Philippe d'Orléans; Claude Gillot; Charles-Antoine Coypel; Jean-Baptiste Oudry; Francois Boucher; Charles-Nicolas Cochin--II: High Rococo (1750-1788). Hubert-François Bourguignon, called Gravelot; Charles Eisen; Abbé Jean-Claude-Richard de Saint-Non; Pierre-Philippe Choffard; Charles Monnet; Jean-Baptiste Le Prince; Jean-Jacques-François Le Barbier; Pierre-Clément Marillier; Jean-Michel Moreau, called Moreau le Jeune; Jacques de Sève; Books illustrated by two or more artists; Jacques-Philippe-Joseph de Saint-Quentin--III: Revolution to Restoration (1789-1819). The Didots and their illustrators; Pierre-Paul Prud'hon; Jean-Honoré Fragonard; The contemporary scene; Color printing; The miniature illustrators; Nicolas-André Monsiau--IV: Romantic lithography. Early lithography; Théodore Géricault; Baron Taylor and the picturesque; Richard Parkes Bonington; The Napoleonic epic: Nicolas-Toussaint Charlet, Hippolyte Bellangé, Auguste Raffet; The passing scene presented in color: Jean-Ignace-Julien Gérard, called J. -J. Grandville, Henry Monnier, Eugène Lami; Lithography and romantic literature: Eugène Delacroix, The periodicals; Sulpice-Guillaume Chevallier, called Gavarni; Honoré Daumier. v. 2. V: Romantic engraving on wood and metal (1820-1850). The early years (1820-1835); Alfred and Tony Johannot; Jean-Ignace-Julien Gérard, called J. -J. Grandville; Raffet and other illustrators of the Napoleonic tradition; Sulpice-Guillaume Chevallier, called Gavarni; Célestin Nanteuil; Other books illustrated by single artists: Jean-François Gigoux, Théophile Fragonard, Honoré Daumier, Eugène Lami, Théodore Chassériau, Albert-d'Arnoux Bertall; Books illustrated by two or more artists--VI: Interregnum (185I-1884). Gustave Doré; Other books with engravings on wood or metal; Chromolithography; The revival of etching; Edouard Manet--VII: The great renewal (1885-1914). The traditional book: Edouard Pelletan, Paul Avril, Hector Giacomelli, Léon Lhermitte, Maurice Leloir, Daniel Urrabieta, called Daniel Vierge, Luc-Olivier Merson, Georges Jeanniot, Albert Robida, Adolphe Giraldon, Georges Rochegrosse, Charles-Lucien Léandre, Alexandre Lunois, Henri-Jules-Ferdinand Bellery-Desfontaines, Paul-Emile Colin, The younger generation; Paris, 1900: Auguste Lepère, Pierre Vidal, Jean-Francois Raffaëlli, Jean-Louis Forain, Théophile-Alexandre Steinlen, Louis Legrand, Louis Morin, Charles Jouas, Edgar Chahine, Tony Minartz, Illustrators of Maupassant; Art Nouveau and the triumph of color. Eugène Grasset, Jules Chéret, The periodicals, Maurice Boutet de Monvel, Alphonse Mucha, Georges de Feure, Pierre Roche; Symbolism: Félicien Rops, Henri Fantin-Latour, Odilon Redon, Carlos Schwabe, Armand Séguin, Maurice Denis; Painters' books: Henri de Toulouse-Lautrec, Pierre Bonnard, Auguste Rodin, Gustave Leheutre, Frantisek Kupka, André Derain, Pablo Ruiz Picasso, Raoul Dufy, Camille Pissarro, Emile Bernard, Albert Besnard--Appendix I: Examples of fine bindings--Appendix II: One hundred outstanding French illustrated books, 1700-1914.
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Seller's Description:
Fine. Fine clean copy in very good d.j. Volume 1 only. The Art of the French Illustrated Book 1700 to 1914 Volume 1. Large and heavy book and may require extra postage. No international amazon shipping.
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Seller's Description:
Near Fine in Fine Condition jacket. Book 562 pages, divided between two hardcover volumes. Lower corners of volume 2 are bumped, with a small degree of shelfwear to the bottom edge of each volume, but otherwise, the bindings are tight and solid, with bright dustjackets now protected by Mylar sleeves. The interiors of each are clean and unmarked. Bound in red cloth covered boards with gold stamping. Extensively illustrated with detailed cataloguing and excellent reference material. Text in English.
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Seller's Description:
Very Good. 1982. Hardcover. Cloth, dj. Some scuffing to jackets, bottom edges of boards. Small tear in jacket of first volume at bottom corner of rear panel. Crease and fray in jacket of second volume at top of spine. Front hinge of second volume tender, but binding is firm. Else fine, illustrations pristine. Very Good. (Subject: Books on Books).