Catalogue of the exhibition at Williams College Museum of Art (entitled "Beauties . . . of a Quiet Kind"), August 1993-January 1994. Foreword by Linda Shearer; additional essay by Marion M. Goethals; catalogue entries by Vivian Patterson and others.
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Catalogue of the exhibition at Williams College Museum of Art (entitled "Beauties . . . of a Quiet Kind"), August 1993-January 1994. Foreword by Linda Shearer; additional essay by Marion M. Goethals; catalogue entries by Vivian Patterson and others.
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VG-. Spine slightly aged in color or worn, otherwise fairly crisp and clean. Salmon & color illustrated wraps; French flaps. 120 pp. 22 color, 112 bw plates. Title on spine: Charles Prendergast. With essay "Beauties...of A Quiet Kind": The Art of Charles Prendergast, with 35 notes by Nancy Mowll Mathews; essay "My Work is Done in Gesso the Old Italian Method...." by Marion M. Goethals (with 36 notes); catalogue of the collections of the Williams College Museum of Art and Mrs. Charles Prendergast; two appendices, publications cited, exhibitions cited, and index by title.
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Near Fine. 0913697168. Exhibition catalog. Color and black and white illustrations throughout. First edition (paperback). About fine in oversized illustrated wraps.
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New. 0913697168. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--120 pp. With 132 ills. (20 col. ). 28 x 22 cm. Description: "A detailed study of the individualistic body of work created by American artist Prendergast (1863-1948) following his successful early career as a framemaker, this catalogue documents with illustrations and frequently lengthy commentaries some 70 pieces dating from the 1910s through the 1940s, including watercolors, sculptures, drawings and decorative objects along with many of the paintings of religious scenes and medieval and folk subjects produced by the artist on carved gessoed panels. Two essays chronicle Prendergast's career, describe his adaptation of Italian Renaissance techniques, and examine the evolution of his deliberately primitivist style and archaic themes, noting affinities with the Neo-Impressionist works of his brother Maurice."--with a bonus offer--; 0.41 x 11.02 x 8.57 Inches.
