Americans have come to take the car for granted. Buying, driving, and keeping up our cars are simple facts of modern life. Those who don t own cars can hardly escape them since they are perhaps the most ubiquitous and arguably the most dominant visual form of our century. But how often do we look at them as art objects? Among the least analyzed and understood of the commercial arts, the American car continues to be one of our most significant and creative contributions to the history of design. Cars have shaped America like ...
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Americans have come to take the car for granted. Buying, driving, and keeping up our cars are simple facts of modern life. Those who don t own cars can hardly escape them since they are perhaps the most ubiquitous and arguably the most dominant visual form of our century. But how often do we look at them as art objects? Among the least analyzed and understood of the commercial arts, the American car continues to be one of our most significant and creative contributions to the history of design. Cars have shaped America like no other visual form, except perhaps the movies. Today, however, the movies are acknowledged as a legitimate art form. Surely it is time that cars were taken more seriously. And yet, how can we? Basic questions remain unanswered: How is a car created? How is the idea for a car conceived, how does it develop into a design, and how does the design become a finished product? Does the design process affect the ultimate appearance of the car and, if so, how? Answering these questions will help us begin to see cars as works of art. The questions throw a spotlight on the role played by artistic creativity within the automotive industry; the answers reveal the unique form it has taken. This book presents the first in-depth analysis of the car design profession in this country. It includes the first series of interviews with America s great car designers and the first to approach them and their discipline from an art-historical perspective. In fact, this is the first time the actual process of designing cars has been seriously studied. Armi's novel approach has been to explore the personalities of the car designers with an eye on the effect of those personalities on the process of creation. This book will appeal to all with an interest in the American car: the consumer, the designer, the members of UAW, the auto executive, the advertising executive, and the art historian."
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Seller's Description:
Acceptable. Acceptable condition. Good dust jacket. Former Library book. In protective mylar cover. A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.
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Near fine in very good + jacket. Cloth in dust jacket, illustrated, clean unmarked text, near fine copy in very good+ dust jacket, some creasing and edgewear to the dust jacket.
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Seller's Description:
Fine in Near Fine dust jacket. Illustrated with black-and-white photographs. The dust jacket is protected by a Brodart mylar cover and is not clipped. Not an ex-library copy. No remainder marks. No names or marks in the text. Most books shipped within 24 hours. All books mailed with Delivery Confirmation. The upper right corner of the front cover has some creasing. Fine condition in near fine dust jacket.; Black-and-white photographs; 8vo.; viii, 312 pages.
