For more than three decades, William Kentridge has been exploring the most vexing questions of our time. While doing so, his work has pushed the boundaries of the media in which he poses these questions, allowing viewers to reflect with him on the tasks and the limits of representation, the traditions of landscape and self-portraiture, the possibilities for animated drawing and the labour of art. For five days, Kentridge sat with Rosalind Morris to talk about his work. In this book, the result of that conversation, they ...
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For more than three decades, William Kentridge has been exploring the most vexing questions of our time. While doing so, his work has pushed the boundaries of the media in which he poses these questions, allowing viewers to reflect with him on the tasks and the limits of representation, the traditions of landscape and self-portraiture, the possibilities for animated drawing and the labour of art. For five days, Kentridge sat with Rosalind Morris to talk about his work. In this book, the result of that conversation, they probe as deeply into the techniques by which Kentridge works as the psychic and philosophical underpinnings of his oeuvre.
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Seller's Description:
Good in Good jacket. Jacket is sunned along spine and lightly shelf worn, not affecting legibility of text. Cover is in great condition. Spine cracked, but binding is secure. Inside is clean and unmarked.
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Seller's Description:
Very Good in Very Good jacket. Size: 8x5x0; No edition stated. Publication of 192 pages. The dust jacket is a little shelf rubbed. The boards are in good condition. Internally the pages are immaculately clean and complete. Tightly bound and protected in cellophane. The binding is excellent. GK.
