Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good in no dustcover as issued jacket. Size: 9x6x0; minimal cover wear, clean glossy, pages clean, bright and unmarked, spine tightListing Includes Books Image. Please email me if you need to see more pictures! The orders are processed promptly, carefully packaged and shipped within 1 day of purchase. PLEASE NOTE! if you need the book quickly, please Purchase Priority Shipping. Media will not show updates in mail confirmation till reaches continental U.S.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
VG (light edge-wear to wraps; small crease to spine top. rubbing to corners w/ light curling. very tightly bound; appears unread. light wear to jacket edges. ) Florescent red/orange wraps w/ black printing. 304 pgs w/ bw & color illustrations. linen cloth illustrated jacket w/ round, die-cuts. A nice, bright copy. "The first solo U.S. museum exhibition of Japanese artist Tetsumi Kudo's work includes more than 100 works of diverse media and scale--objects, sculpture, installation, drawing, and painting--covering the entire trajectory of his career, from the late 1950s through the late 1980s. Also featured will be a study room, in which viewers can explore a timeline of the artist's life and work and examine historical documentation, posters, and ephemera, as well as studies for some of his larger-scale works. Kudo was a rare artist who bridged many disparate artistic tendencies in the latter half of the 20th century--including French Nouveau Realisme, international Fluxus, Pop art, 1960s anti-art tendencies, and 1980s Japanese postmodernism--without specifically belonging to any of them. Throughout his life and career he remained an eccentric and enigmatic figure in postwar art. In his stance and approach, temperament, and philosophy, the contemporary artists he perhaps shared most with were figures like Joseph Beuys, Paul Thek, James Lee Byars, and Yayoi Kusama. But the significance of Kudo's work lies not only in art history but in postwar culture and thought more generally. Throughout his career, he remained particularly Japanese, while his art and vision were consistently and uniquely transcultural, international, and cosmopolitan. Deeply concerned with the fate of humanity in the wake of nuclear attacks on his native land and the dawn of the global arms race, Kudo sought to develop a universal humanist language of creativity and regeneration until his untimely death in 1990."--WorldCat.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good in Very Good jacket. This is a very good softcover copy with a very good dustwrapper with just light cover wear. Die cut dustwrapper. The top right corner of the front cover is creased. The text and illustrations not affected by this. Text in English. This catalog was prepared to accompany the exhibition at the Walker Art Center from October 18, 2008 to January 11, 2009. Essays by Doryun Chong, Mike Kelley, Nakahara Yusuke. Many texts by Tetsumi Kudo from 1959 to 1984. Chronology. Biographical sketch. Bibliography. Exhibition history. Epilogue by Pierre Restany. Illustrated mostly in black & white, some color. 9" high X 6" wide, 303 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
New. 0935640924. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--Text in English. 304 pp. With 209 ills. (100 col. ). 24 x 17 cm. --with a bonus offer--
